We believe cameras and code are only means of expression. The real work lies in finding the story, simplifying complexity, and making films that move people.

A system built across layers of thinking and execution.

Every project begins by defining what the film needs to say, then evolves through framing, shooting, and finishing. Story, image, and sound are treated as interconnected parts of the same process, allowing ideas to move from treatment to delivery without losing clarity along the way.
01
Commercials

Concept & Treatment
Brand & Product Spots
Campaign Films
Directing
Art Direction
Casting & Locations
Studio & Tabletop
Edit, Colour & Sound
Versioning & Cutdowns
Delivery for TV & Social

02
Short & Feature Films

Development & Writing
Treatments & Lookbooks
Directing
Art Direction
Production Design
Cinematography
Editing
Colour Grading
Sound Design
Trailers & Festival Deliverables

03
Music Videos

Treatments & Storyboards
Performance Videos
Narrative Videos
Lyric Videos & Visualizers
Art Direction & Styling
Directing
Editing
Colour Grading
VFX & Finishing
Artist & Label Collaboration

04
Documentary & Architecture Films

Documentary Shorts
Architecture & Space Films
Interviews & Portraits
Research & Story Development
Directing & Cinematography
Editing & Colour
Sound & Finishing

05
Design & Art Direction

UI/UX Design
Art Direction
Design Systems
Motion Design
Title Design & Screen Graphics
Interactive & Web Experiences
Prototyping
Brand & Campaign Design

Listen

The story and the audience first.

Before anything gets shot, we listen. To the story, the audience, the brand, and the constraints — budget, timeline, platform. We look past the brief's first draft to find what the film actually has to do, and for whom. The strongest work starts with the right question, not the first answer.
Frame

See the film before the shoot.

Once the story is clear, we frame it. References, look, palette, motion, sound — a treatment that shows the film before it exists. Casting, locations, and boards get locked here. If we're not aligned on the frame by the end of this phase, nothing downstream holds up.
Shoot

Directing and shooting for the edit.

On set, everything serves the edit. We direct and shoot with the cut already in mind: coverage that earns its place, performances with room to breathe, frames that hold up at every size. We work in tight iterative loops — shoot, review, adjust — and nothing is left to fix in post without a reason.
Finish

Edit, colour, sound.
Made to be seen everywhere.

Edit, colour, sound, delivery. The film gets finished for the environments it was made for — broadcast, cinema, social, web — with every version, ratio, and cutdown accounted for. Finishing isn't a finish line; it's the moment the work starts earning its keep. And when you're ready for the next chapter, we're usually already talking about it.

Selected Clients

Testimonials

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What happens after the work goes live.

Beyond delivery, the work is made to travel — across platforms, campaigns and screens. Real numbers and festival results will be listed here. [PLACEHOLDER]
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Want to talk about a project?

From commercials and films to music videos and digital design, two.rs is here to bring your project to life. Get in touch, and let's talk about it.
Alex Tselekidis
Founder
Let’s talk
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two.rs Studio Timezone (BG) 20:26:24

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